Simply get down on your claws and . . .

[andrew_jorgensen]

. . . GIP!!



The text is a little plain, as fatigue had definitely set in by the time I got to that stage.

Comments

[scrollgirl.livejournal.com]

Wow, that's some really smooth animation you got going there! You can't see where it loops at all. Heh, and now I wanna see Numfar join in the dance! *g*

[ann1962]

Here you go!

[scrollgirl.livejournal.com]

Whee! Dance, little Numfar, dance!

Thanks Ann :)

[dherblay.livejournal.com]

I had a feeling you'd respond to that . . .

[ann1962]

Hee. You know me too well.

I failed to say it before, but this newest icon is very impressive in it animation.

How many layers on this one?

[dherblay.livejournal.com]

Thank you. There are 22 frames in the animation, so that's either 22 layers or 24 or 66 -- Zoidberg and the fire were on a different layer from the background, which I tried to keep as constant as possible, and then there's the text. There was a lot of duplication and merging visible layers. The original, broadcast on television animation had 45 frames over the stretch I used, but LJ doesn't have as big a memory allowance.

[dherblay.livejournal.com]

Thank you! I'm just a little irritated because I had to cut out half the frames to get it to fit into LiveJournal's parameters.

(I know where it loops! I think I do, anyway.)

[midnightsjane.livejournal.com]

Hee! Love that one, d'H. Very clever. I'm jealous of all you icon artistes out there. I'm limited by a)lack of technical knowhow and b)only having the paint programme to work with. So, I sit and smile at all your icons.

[dherblay.livejournal.com]

I made my default icon with Paint! I made this icon with just Paint and a 100 KB animation program Bit gave me!

[deevalish.livejournal.com]

Futurama! Very nice icon! I don't mind the text, makes it very easy to read.

[dherblay.livejournal.com]

Thank you! I'm pleased by the legibility. But I think that had I spent ten more minutes working with it, I'd be pleased by the layout, too.

Let's see how it looks against blue . . .